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“This album is a thank-you to the 80’s”
Click here to get the full album at thecultureclash.com or from musicmillennium.com!
“I think I always sang,” Pete says. “I sang along with the radio or made up my own goofy songs…but I never took it seriously, or thought of it as something I could really do, until high school. In high school, I met Neil Robins (of Dirt Poor Robins). He was a phenomenal guitarist, and was already an amazing songwriter at age fourteen. We started writing songs together and I was Continued...
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| Leaving Lilliput MP3 | Download Free |
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| Michael (Jump In) (30 sec clip) MP3 | Download Free |
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| Sweep the Leg (30 sec clip) MP3 | Download Free |
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No More Kings Biography (Continued) |
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hooked. I knew I had to make music.”
Later in high school, Pete and Neil started playing shows together, singing two-part harmony in the halls and in the back of the school bus. No More Kings was born, with Pete Mitchell, Neil Robins, and Adam DeGraide (founder/CEO of Astonish Entertainment), and began to perfect its sound. Neil and Pete wrote silly, energetic songs and No More Kings played all over New England. But when Pete and Neil moved to L.A. with a different band, they “kind of split up, and I thought that was the end of No More Kings,” Pete says.
The band was the catalyst for his move, but Pete wanted to keep pursuing a fine art career. “I really didn’t think I would end up doing music for a living. I didn’t think it was possible,” he says. He started working for Disney, animating for video games, and then moved on to Henson to make Muppet games. As he was developing as a visual and musical artist, he searched for his own unique voice.
“I think your voice is always going to be a combination of your influences, and then at some point getting comfortable enough that you relax when you sing, and be yourself. I still kind of wonder sometimes if this is what I sound like, or if I’m channeling Stevie Wonder or something,” Pete kids. “I want my music to be a celebration of the crazy times I grew up in, the things that influenced me, the little pieces that made me. Whether that’s watching Knight Rider every night, or whether that’s School House Rock, or The Muppet Show. Whatever those influences are that got in and stayed in, and have been rattling around for years. This album says, ‘Thank you, 80’s, for raising me, you did a good job.’ ”
Later in high school, Pete and Neil started playing shows together, singing two-part harmony in the halls and in the back of the school bus. No More Kings was born, with Pete Mitchell, Neil Robins, and Adam DeGraide (founder/CEO of Astonish Entertainment), and began to perfect its sound. Neil and Pete wrote silly, energetic songs and No More Kings played all over New England. But when Pete and Neil moved to L.A. with a different band, they “kind of split up, and I thought that was the end of No More Kings,” Pete says.
The band was the catalyst for his move, but Pete wanted to keep pursuing a fine art career. “I really didn’t think I would end up doing music for a living. I didn’t think it was possible,” he says. He started working for Disney, animating for video games, and then moved on to Henson to make Muppet games. As he was developing as a visual and musical artist, he searched for his own unique voice.
“I think your voice is always going to be a combination of your influences, and then at some point getting comfortable enough that you relax when you sing, and be yourself. I still kind of wonder sometimes if this is what I sound like, or if I’m channeling Stevie Wonder or something,” Pete kids. “I want my music to be a celebration of the crazy times I grew up in, the things that influenced me, the little pieces that made me. Whether that’s watching Knight Rider every night, or whether that’s School House Rock, or The Muppet Show. Whatever those influences are that got in and stayed in, and have been rattling around for years. This album says, ‘Thank you, 80’s, for raising me, you did a good job.’ ”
