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One of the UK's top electronica acts of the 90s, The Prodigy were Britain's premier dance act for the alternative crowd. The group was formed around Essex producer and technical wizard Liam Howlett, and  Continued...

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The Prodigy Music Reviews & Comments

RalphHardy
11.21.09
#ifiwasincrack I probably could of made Prodigy's 'Take me to the hospital'
 
CharlotteO_o
11.21.09
Firestarter - The Prodigy just came on shuffle. RAVING IN MY ROOM, BRB.
 
silviii_t
11.21.09
Preparing for The Prodigy #prodigy #karlsruhe #europahalle
 
NeradioBot
11.21.09
DjAstro The Prodigy- Smack My Bitch Up ...
 
indexdownload
11.20.09
New blog post: The Prodigy - Experience 1992 [LOSSLESS FLAC] ...
 
ray_jacobs
11.20.09
@Elly_V ooo nice! bet it wasnt as good as the prodigy last wednesday ;)
 
AeonMembran
11.20.09
The Prodigy - Take me to the Hospital - Josh Homme/ Liam Howlett wreckage mix... killa!!
 
robot_t1o
11.20.09
Now playing "Girls (Rex The Dog Remix)" by The Prodigy
 
Hugosaurus
11.20.09
is hoping The Prodigy return to New York in 2010.
 
NayNuts
11.20.09
Fuck man the prodigy and whitestripes mash is prettay sexay i might say! well done my friend! naynay OUT!
 

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The Prodigy music biography continued...

also included Keith Flint and Leeroy Thornhill (both Essex natives as well). Six months after their first public appearance at a British club, The Prodigy released the single "Charly," which became a huge hit in the rave scene at the time, hitting number one on the British dance charts, then crossing over to the pop charts, stalling only at number three. "Charly" was soon followed by the band's first full length album, Experience, a landmark release in the history of British rave music, which hit the Top Ten and easily went gold, spawning a series of Top 20 singles. In 1994, the Prodigy's second album, Music for the Jilted Generation, was released entering the UK album charts at #1. The album was nominated for a Mercury Prize, but Howlett made sure that The Prodigy didn't become overexposed and that they continued to maintain their integrity as a purveyor of hardcore dance music. The long-awaited third Prodigy album, The Fat of the Land, was released in 1997 just as the band headlined the Glastonbury festival on its opening night. Like its predecessors, the album represented a milestone in the development of both the band and the wider mainstream dance scene.
The album cemented the band's position as one of the most internationally successful acts in the dance genre, entering the British and American charts at number one, and boasting singles like "Smack My Bitch Up," which engendered controversy and with it even more fame for the band.



The Prodigy's fourth studio album, Always Outnumbered, Never Outgunned was released seven years later, in August 2004. It was followed by Invaders Must Die in 2008. Though they may not be as prolific as other techno bands, Howlett and The Prodigy have remained true to their artistry. Their incendiary live shows are unparalleled and their willingness to experiment with everything from punk to rock legendary. They have sold over 16 million records worldwide which is unequalled in dance music history and their fans on both sides of the Atlantic are among the most devoted, something The Prodigy do not take for granted.